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Vol. 1 / No. 3 • Winter 2002 • Laughter's LEGENDS Section…

 

SMOTHERS BROTHERS :
Elevating Sibling Rivalry
to a Comedic Art Form


by Joanne Johnson / Humor Editor
T a l k i n g C o m e d y . c o m


The family that plays together stays together, isn’t that how the old saying goes? Nobody proves it better than the Smothers Brothers, who have been playing their brand of folk music, liberally salted with comedic banter between the two, for some 40 years now. And after all that time they’re still going strong! Not many comedy duos, if any, can stake claim to that kind of longevity. Come to think of it, not even many marriages can make that claim these days.

“Whenever someone asks…‘how did you guys stay together for so long?’ we say… ‘It’s like a very old marriage, a lot of fighting and no sex’,” jokes bass playing brother and straightman of the duo, Dick Smothers. “There’s no divorces in this marriage! Though, we could have separated, you know, we didn’t promise mom.”
“I was always shy as a kid,” says older brother and comic of the duo, Tommy Smothers. “I’d always overcome it by being the class clown, by creating chaos where there was none before. Most comics are working out some kind of conflict; they don’t know what it is. As you get older you resolve it, but by then you’ve got a craft. You have this skill.”

Tommy’s talent for comedy was first showcased on-stage when he, brother Dick, and a college friend Bobby Blackmore formed a folk trio. Realizing that performing folk music was more than just playing a tune, waiting for the audience to finish applauding, and playing another tune, Tommy started interjecting stories between the trios musical numbers. The only problem was they weren’t necessarily true. “Tommy started making up these little stories… these lies, these terrible lies about the songs. He did it in a very insecure manner,” recalls Dick of their earliest days performing while still attending San Jose State. Tommy’s on-stage persona was similar to Woody Allen’s early stand-up persona. “Woody looked like he’d rather be anywhere else in the world but on that stage,” relates Dick. “Well Tommy had the ability to create this character that people felt so sorry for. Sorry that someone that inept and that confused would be on-stage trying to do something he had no talent for. That came very early for Tom and that just got integrated into the show. As a trio there was no brother relationship,” says Dick Smothers of those early days. Then Bobby Blackmore left the trio and got married. “Tommy’s patter was already pretty funny by then,” confides Dick. “I slowly… and I tell you it took me a long time… I slowly started interjecting… ‘Shut up,’ ‘No,’ ‘Stupid,’ ‘That’s not right’ …just little things and then we developed our relationship.”

When Tommy originally talked younger brother Dick into joining him in the folk trio, performing was just going to be something they’d do for a short time while they were attending college… a way of having a little fun. But when a friend, who was in a band, talked the two brothers into auditioning for a small club in San Francisco, called the Purple Onion, they soon found themselves opening for comedienne Phyllis Diller.

They honed their act at the Purple Onion and as they got better and better other doors would open for them. In time TV beckoned with an offer from CBS to do a sitcom. Although this would not be a success for the talented duo it did lead to the show that would become a TV legend — ‘The Smothers Brothers Comedy Hour.’

 
Looking back on their long career both brothers agree that their appearance on the Tonight Show, with Jack Parr hosting, was the most memorable of moments. “It was our first national television show,” says brother Dick of the experience, “and the most jarring thing I’ve ever done. I did it with laryngitis,” continues Dick, “and Jack didn’t have any belief in us. He presented it like… if we were bad, well, it wasn’t his fault. That was the setup and it was so perfect, absolutely perfect.”

“But there were so many memorable experiences,” adds Dick, as he continues to reflect back on a career that has spanned some four decades in show business. “And, every experience was necessary to get to the following memorable experience… Being a regular on the Steve Allen Show. That’s the thing that just cemented it for us. It made the records go and the whole rest of our careers go. …And, working the Hollywood Bowl when we were really hot as a duet. Just two kids, with an acoustic guitar and bass, on this huge stage that held symphonies, and a lake between us and the audience …there were 15,000 people. And it was scary, and at the same time exhilarating, tremendous. It was all just a really nice ride,” says Dick Smothers as he sums up.

Nice Ride… isn’t that the perfect way to describe the careers of these kings of comedy, of the sibling rivalry variety? For who can get through a long trip, in the family car, without having it bring out a bit of sibling rivalry in even the closest of brothers? All I can say, to both of mother Smothers’ exceptionally talented sons, is… thanks for all the laughs along the way and for inviting us along for the ride!



The Smothers Brother’s best of CD, ‘Sibling Rivalry’ is available from Smothers Winery ( 1-800-795-WINE ) or Rhino Entertainment ( call 1-800-827-4466 or visit www.Rhino.com ). Visit www.smothersbrothers.com for other items, interesting info, and a listing of upcoming performance dates. ( Their Vegas performance schedule includes… Hilton Hotel and Casino, Starlight Theater (Las Vegas, NV) April 9 - 21; June 18 - 30; August 13 - September 8; November 5 - 24 (No Monday performances).



Photo Credits:
Photographs are courtesy of Knave Productions, Inc.



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